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The Upside Down of the Downside Up

 

 

THE DEATH OF GODS IN ANCIENT EGYPT

Jane B. Sellars 1992

Page 204

"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:

Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10

Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.

Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.

The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.

A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the /Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)

If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.

This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.

Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.

But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 36in 25,776 years, only 144 years less than the figure of 25,920.

With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, Incorrect by a difference of from 2,397.9 years to 3,024.

Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'

AN IMPORTANT POSTSCRIPT

Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.

Page 206

Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12

This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.

Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.

Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.

Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13

Page 207

"...Feniusa Farsa, Graves equates this hero with Dionysus Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials

We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14

Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15

Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16

In Hamlet's Mill de Santillarta adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)

Thee Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted
mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656.years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, .multiply this by 2 and again we have.the necessary 432 digits.

Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as.- the interest-
ing number of AD.432.18

Whatever one may think-of some of these number coincidences, it becomes. difficult to escape the suspicion that many signs (number and otherwise) -indicate that early man observed the results.. of the movement of Precession . and that the-.transmission of this information was .considered of prime importance.

'With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would
have constituted the construction-of a 'Unified Field Theory' for nothing .less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.

But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced.,that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':

"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two,four.Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radiusekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up. his piece of striped and striped wallpaper, decorated / Page 209 / with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.

So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"

 

 

All about the planets in our Solar System. The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, ... www.enchantedlearning.com/subjects/astronomy/planets

Our solar system consists of the sun, eight planets, moons, dwarf planets, an asteroid belt, comets, meteors, and others. The sun is the center of our solar system; the planets, their moons, the asteroids, comets, and other rocks and gas all orbit the sun.

The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, and Pluto (a dwarf planet). A belt of asteroids (minor planets made of rock and metal) lies between Mars and Jupiter. These objects all orbit the sun in roughly circular orbits that lie in the same plane, the ecliptic (Pluto is an exception; it has an elliptical orbit tilted over 17° from the ecliptic).

 

 

LOOK AT THE NINES LOOK AT THE NINES LOOK AT THE NINES

THE NINES THE NINES THE NINES

 

 

OSIRIS LORD OF THE LABYRINTH

WHO ART THOU LORD

 

 

I

I SAY I

LOVE ORDER GODS ORDER I LOVE

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
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R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

OMPHALOS

 

-
-
-
-
9
THE SUN GOD
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
S
=
1
-
3
SUN
54
18
9
-
-
-
-
-
-
-
-
-
-
G
=
7
-
3
GOD
26
17
8
-
-
-
-
-
-
-
-
-
-
-
-
10
-
9
THE SUN GOD
113
50
23
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
D
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
THE SUN GOD
-
-
-
-
1
2
3
4
10
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+0
-
-
-
-
S
=
1
-
3
SUN
54
18
9
-
1
2
3
4
1
6
7
8
9
G
=
7
-
3
GOD
26
17
8
-
-
-
-
-
-
-
-
-
-
-
-
10
-
9
THE SUN GOD
113
50
23
-
1
2
3
4
1
6
7
8
9
-
-
1+0
-
-
-
1+1+3
5+0
2+3
-
-
-
-
-
-
-
-
-
-
-
-
1
-
9
THE SUN GOD
5
5
5
-
1
2
3
4
1
6
7
8
9

 

 

-
-
-
-
9
THE SUN GOD
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
S
=
1
-
3
SUN
54
18
9
-
-
-
-
-
-
-
-
-
-
G
=
7
-
3
GOD
26
17
8
-
-
-
-
-
-
-
-
-
-
-
-
10
-
9
THE SUN GOD
113
50
23
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
9
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
9
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
9
D
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
-
-
9
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
9
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
9
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
9
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
THE SUN GOD
-
-
-
-
1
2
3
4
10
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+0
-
-
-
-
S
=
1
-
3
SUN
54
18
9
-
1
2
3
4
1
6
7
8
9
G
=
7
-
3
GOD
26
17
8
-
-
-
-
-
-
-
-
-
-
-
-
10
-
9
THE SUN GOD
113
50
23
-
1
2
3
4
1
6
7
8
9
-
-
1+0
-
-
-
1+1+3
5+0
2+3
-
-
-
-
-
-
-
-
-
-
-
-
1
-
9
THE SUN GOD
5
5
5
-
1
2
3
4
1
6
7
8
9

 

 

ADVENT 2273 ADVENT

ATUM RA AR MUTA, ATUM RA, ATUM

 

A
T
U
M
-
R
A
-
A
R
-
M
U
T
A
1
20
21
13
-
18
1
-
1
18
-
13
21
20
1
1
2
3
4
-
9
1
-
1
9
-
4
3
2
1
A
T
U
M
-
R
A
-
A
R
-
M
U
T
A
1
-
-
-
-
-
1
-
1
-
-
-
-
-
1
-
2
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
3
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
4
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
9
-
-
-
9
-
-
-
-
-
A
T
U
M
-
R
A
-
A
R
-
M
U
T
A

 

 

-
-
-
-
9
-
-
-
9
-
-
-
-
-
-
-
4
-
-
-
-
-
4
-
-
-
-
-
3
-
-
-
-
-
-
-
3
-
-
-
2
-
-
-
-
-
-
-
-
-
2
-
1
-
-
-
-
1
-
1
-
-
-
-
1
A
T
U
M
R
A
-
A
R
M
U
T
A
1
20
21
13
18
1
-
1
18
13
21
20
1
1
2
3
4
9
1
-
1
9
4
3
2
1
A
T
U
M
R
A
-
A
R
M
U
T
A
1
2
3
4
9
1
-
1
9
4
3
2
1
A
T
U
M
R
A
-
A
R
M
U
T
A

 

 

-
-
-
4
-
4
-
-
-
-
-
3
-
-
-
3
-
-
-
2
-
-
-
-
-
2
-
1
-
-
-
-
-
-
-
1
A
T
U
M
-
M
U
T
A
1
20
21
13
-
13
21
20
1
1
2
3
4
-
4
3
2
1
A
T
U
M
-
M
U
T
A
1
2
3
4
-
4
3
2
1
A
T
U
M
-
M
U
T
A

 

 

-
-
-
4
4
-
-
-
-
-
3
-
-
3
-
-
-
2
-
-
-
-
2
-
1
-
-
-
-
-
-
1
A
T
U
M
M
U
T
A
1
20
21
13
13
21
20
1
1
2
3
4
4
3
2
1
A
T
U
M
M
U
T
A
1
2
3
4
4
3
2
1
A
T
U
M
M
U
T
A

 

 

6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
-
R
A
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
-
9
-
-
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9
occurs
x
1
=
9
6
A
T
U
M
-
R
A
-
-
19
-
-
6
-
20
-
-
-
-
-
-
9
-
-
-
10
-
-
-
Q
2+0
6
A
T
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M
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R
A
-
-
1
-
-
6
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2

 

 

-
-
-
-
-
TRIANGLE
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
L
=
6
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
41
-
8
TRIANGLE
86
41
41
-
1
2
3
4
10
6
7
8
18
-
-
4+1
-
-
-
8+6
4+1
4+1
-
-
-
-
-
1+0
-
-
-
1+8
-
-
5
-
8
TRIANGLE
14
5
5
-
1
2
3
4
1
6
7
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
8
TRIANGLE
5
5
5
-
1
2
3
4
1
6
7
8
9

 

 

-
-
-
-
-
TRIANGLE
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
1
T
20
2
2
-
-
2
-
4
-
6
-
8
-
R
=
9
-
1
R
18
9
9
-
-
-
-
4
-
6
-
8
9
I
=
9
-
1
I
9
9
9
-
-
-
-
4
-
6
-
8
9
A
=
1
-
1
A
1
1
1
-
1
-
-
4
-
6
-
8
-
N
=
5
-
1
N
14
5
5
-
-
-
-
4
5
6
-
8
-
G
=
7
-
1
G
7
7
7
-
-
-
-
4
-
6
7
8
-
L
=
6
-
1
L
12
3
3
-
-
-
3
4
-
6
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
4
5
6
-
8
-
-
-
41
-
8
TRIANGLE
86
41
41
-
1
2
3
4
10
6
7
8
18
-
-
4+1
-
-
-
8+6
4+1
4+1
-
-
-
-
-
1+0
-
-
-
1+8
-
-
5
-
8
TRIANGLE
14
5
5
-
1
2
3
4
1
6
7
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
8
TRIANGLE
5
5
5
-
1
2
3
4
1
6
7
8
9

 

 

-
-
-
-
-
TRIANGLE
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
1
T
20
2
2
-
-
2
-
4
-
6
-
8
-
R
=
9
-
1
R
18
9
9
-
-
-
-
4
-
6
-
8
9
I
=
9
-
1
I
9
9
9
-
-
-
-
4
-
6
-
8
9
A
=
1
-
1
A
1
1
1
-
1
-
-
4
-
6
-
8
-
N
=
5
-
1
N
14
5
5
-
-
-
-
4
5
6
-
8
-
G
=
7
-
1
G
7
7
7
-
-
-
-
4
-
6
7
8
-
L
=
6
-
1
L
12
3
3
-
-
-
3
4
-
6
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
4
5
6
-
8
-
-
-
41
-
8
TRIANGLE
86
41
41
-
1
2
3
4
10
6
7
8
18
-
-
4+1
-
-
-
8+6
4+1
4+1
-
-
-
-
-
1+0
-
-
-
1+8
-
-
5
-
8
TRIANGLE
14
5
5
-
1
2
3
4
1
6
7
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
8
TRIANGLE
5
5
5
-
1
2
3
4
1
6
7
8
9

 

 

-
-
-
-
-
TRIANGLE
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
1
A
1
1
1
-
1
-
-
4
-
6
-
8
-
T
=
2
-
1
T
20
2
2
-
-
2
-
4
-
6
-
8
-
L
=
6
-
1
L
12
3
3
-
-
-
3
4
-
6
-
8
-
N
=
5
-
1
N
14
5
5
-
-
-
-
4
5
6
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
4
5
6
-
8
-
G
=
7
-
1
G
7
7
7
-
-
-
-
4
-
6
7
8
-
R
=
9
-
1
R
18
9
9
-
-
-
-
4
-
6
-
8
9
I
=
9
-
1
I
9
9
9
-
-
-
-
4
-
6
-
8
9
-
-
41
-
8
TRIANGLE
86
41
41
-
1
2
3
4
10
6
7
8
18
-
-
4+1
-
-
-
8+6
4+1
4+1
-
-
-
-
-
1+0
-
-
-
1+8
-
-
5
-
8
TRIANGLE
14
5
5
-
1
2
3
4
1
6
7
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
8
TRIANGLE
5
5
5
-
1
2
3
4
1
6
7
8
9

 

 

-
-
-
-
-
TRIANGLE
-
-
-
-
1
2
3
5
7
9
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
L
=
6
-
1
L
12
3
3
-
-
-
3
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
5
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
5
-
-
G
=
7
-
1
G
7
7
7
-
-
-
-
-
7
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
9
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
9
-
-
41
-
8
TRIANGLE
86
41
41
-
1
2
3
10
7
18
-
-
4+1
-
-
-
8+6
4+1
4+1
-
-
-
-
1+0
-
1+8
-
-
5
-
8
TRIANGLE
14
5
5
-
1
2
3
1
7
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
5
-
8
TRIANGLE
5
5
5
-
1
2
3
1
7
9

 

 

acred geometry - Wikipediahttps://en.wikipedia.org › wiki › Sacred_geometry
sacred geometry from en.wikipedia.org
Sacred geometry ascribes symbolic and sacred meanings to certain geometric shapes and certain geometric proportions. ... It is associated with the belief that a ...
?Shield of the Trinity · ?Temenos · ?108 (number) · ?Sacral architecture

Sacred geometry ascribes symbolic and sacred meanings to certain geometric shapes and certain geometric proportions.[1] It is associated with the belief that a god is the creator of the universal geometer. The geometry used in the design and construction of religious structures such as churches, temples, mosques, religious monuments, altars, and tabernacles has sometimes been considered sacred. The concept applies also to sacred spaces such as temenoi, sacred groves, village greens, pagodas and holy wells, Mandala Gardens and the creation of religious and spiritual art.
As worldview and cosmology

Further information: Mathematics and art
The belief that a god created the universe according to a geometric plan has ancient origins. Plutarch attributed the belief to Plato, writing that "Plato said god geometrizes continually" (Convivialium disputationum, liber 8,2). In modern times, the mathematician Carl Friedrich Gauss adapted this quote, saying "God arithmetizes".[2]

Johannes Kepler (1571–1630) believed in the geometric underpinnings of the cosmos.[3] Harvard mathematician Shing-Tung Yau expressed a belief in the centrality of geometry in 2010: "Lest one conclude that geometry is little more than a well-calibrated ruler – and this is no knock against the ruler, which happens to be a technology I admire – geometry is one of the main avenues available to us for probing the universe. Physics and cosmology have been, almost by definition, absolutely crucial for making sense of the universe. Geometry's role in this may be less obvious, but is equally vital. I would go so far as to say that geometry not only deserves a place at the table alongside physics and cosmology, but in many ways it is the table."[4]

Natural forms
Further information: Patterns in nature

Nautilus shell's logarithmic growth spiral
According to Stephen Skinner, the study of sacred geometry has its roots in the study of nature, and the mathematical principles at work therein.[5] Many forms observed in nature can be related to geometry; for example, the chambered nautilus grows at a constant rate and so its shell forms a logarithmic spiral to accommodate that growth without changing shape. Also, honeybees construct hexagonal cells to hold their honey. These and other correspondences are sometimes interpreted in terms of sacred geometry and considered to be further proof of the natural significance of geometric forms.

Art and architecture
Further information: Mathematics and architecture, Mathematics and art, and Islamic geometric patterns
Geometric ratios, and geometric figures were often employed in the designs of ancient Egyptian, ancient Indian, Greek and Roman architecture. Medieval European cathedrals also incorporated symbolic geometry. Indian and Himalayan spiritual communities often constructed temples and fortifications on design plans of mandala and yantra. Mandala Vaatikas or Sacred Gardens were designed using the same principles.

Many of the sacred geometry principles of the human body and of ancient architecture were compiled into the Vitruvian Man drawing by Leonardo da Vinci. The latter drawing was itself based on the much older writings of the Roman architect Vitruvius.

In Islam
The geometric designs in Islamic art are often built on combinations of repeated squares and circles, which may be overlapped and interlaced, as can arabesques (with which they are often combined), to form intricate and complex patterns, including a wide variety of tessellations. These may constitute the entire decoration, may form a framework for floral or calligraphic embellishments, or may retreat into the background around other motifs. The complexity and variety of patterns used evolved from simple stars and lozenges in the ninth century, through a variety of 6- to 13-point patterns by the 13th century, and finally to include also 14- and 16-point stars in the sixteenth century.

Geometric patterns occur in a variety of forms in Islamic art and architecture including kilim carpets, Persian girih and Moroccan/Algerian zellige tilework, muqarnas decorative vaulting, jali pierced stone screens, ceramics, leather, stained glass, woodwork, and metalwork.

Islamic geometric patterns are used in the Quran, Mosques and even in the calligraphies.

In Hinduism

A Hindu Ma??ala
The Agamas are a collection of Sanskrit,[6] Tamil, and Grantha[7] scriptures chiefly constituting the methods of temple construction and creation of idols, worship means of deities, philosophical doctrines, meditative practices, attainment of sixfold desires, and four kinds of yoga.[6]

Elaborate rules are laid out in the Agamas for Shilpa (the art of sculpture) describing the quality requirements of such matters as the places where temples are to be built, the kinds of image to be installed, the materials from which they are to be made, their dimensions, proportions, air circulation, and lighting in the temple complex. The Manasara and Silpasara are works that deal with these rules. The rituals of daily worship at the temple also follow rules laid out in the Agamas.

Hindu temples, the symbolic representation of cosmic model is then projected onto Hindu temples using the Vastu Shastra principle of Sukha Darshan, which states that smaller parts of the temple should be self-similar and a replica of the whole. The repetition of these replication parts symbolizes the natural phenomena of fractal patterns found in nature. These patterns make up the exterior of Hindu temples. Each element and detail are proportional to each other, this occurrence is also known as the sacred geometry.[8]

In Christianity
The construction of Medieval European cathedrals was often based on geometries intended to make the viewer see the world through mathematics, and through this understanding, gain a better understanding of the divine.[9] These churches frequently featured a Latin Cross floor-plan.[10]

At the beginning of the Renaissance in Europe, views shifted to favor simple and regular geometries. The circle in particular became a central and symbolic shape for the base of buildings, as it represented the perfection of nature and the centrality of man's place in the universe.[10] The use of the circle and other simple and symmetrical geometric shapes was solidified as a staple of Renaissance sacred architecture in Leon Battista Alberti's architectural treatise, which described the ideal church in terms of spiritual geometry.[11]

Unanchored geometry
Stephen Skinner discusses the tendency of some writers to place a geometric diagram over virtually any image of a natural object or human created structure, find some lines intersecting the image and declare it based on sacred geometry. If the geometric diagram does not intersect major physical points in the image, the result is what Skinner calls "unanchored geometry".[12]

See also
Circle dance
Harmony of the spheres
Lu Ban and Feng shui
Magic circle
Shield of the Trinity
108 (number)
References
"dartmouth.edu: Paul Calter, Polygons, Tilings, & Sacred Geometry".
Cathérine Goldstein, Norbert Schappacher, Joachim Schwermer, The shaping of arithmetic, p. 235.
Calter, Paul (1998). "Celestial Themes in Art & Architecture". Dartmouth College. Retrieved 5 September 2015.
Shing-Tung Yau and Steve Nadis, The Shape of Inner Space, (New York: Basic Books, 2010), 18.
Skinner, Stephen (2009). Sacred Geometry: Deciphering the Code. Sterling. ISBN 978-1-4027-6582-7.
Grimes, John A. (1996). A Concise Dictionary of Indian Philosophy: Sanskrit Terms Defined in English. State University of New York Press. ISBN 9780791430682. LCCN 96012383. [1]
Nagalingam, Pathmarajah (2009). The Religion of the Agamas. Siddhanta Publications. [2]
"Sacred Geometry Of Hindu Temples". Indic Today. 2019-10-22. Retrieved 2021-04-14.
Petersen, Toni (2003), "A(rt and) A(rchitecture) T(hesaurus)", Oxford Art Online, Oxford University Press, doi:10.1093/gao/9781884446054.article.t000037
CUMMINGS, L.A. (1986), "A RECURRING GEOMETRICAL PATTERN IN THE EARLY RENAISSANCE IMAGINATION", Symmetry, Elsevier, pp. 981–997, doi:10.1016/b978-0-08-033986-3.50067-7, ISBN 9780080339863
Rudolf., Wittkower (1998). Architectural principles in the age of humanism. Academy Editions. ISBN 978-0471977636. OCLC 981109542.
Skinner, Stephen (2006). Stephen Skinner, Sacred geometry: deciphering the code, p91. ISBN 9781402741296.
Further reading
Bain, George. Celtic Art: The Methods of Construction. Dover, 1973. ISBN 0-486-22923-8.
Bromwell, Henry P. H. (2010). Townley, Kevin (ed.). Restorations of Masonic Geometry and Symbolry: Being a Dissertation on the Lost Knowledges of the Lodge. Lovers of the Craft. ISBN 978-0-9713441-5-0. Archived from the original on 2012-02-03. Retrieved Jan 7, 2012.
Bamford, Christopher, Homage to Pythagoras: Rediscovering Sacred Science, Lindisfarne Press, 1994, ISBN 0-940262-63-0
Critchlow, Keith (1970). Order In Space: A Design Source Book. New York: Viking.
Critchlow, Keith (1976). Islamic Patterns: An Analytical and Cosmological Approach. Schocken Books. ISBN 978-0-8052-3627-9.
Iamblichus; Robin Waterfield; Keith Critchlow; Translated by Robin Waterfield (1988). The Theology of Arithmetic: On the Mystical, Mathematical and Cosmological Symbolism of the First Ten Numbers. Phanes Press. ISBN 978-0-933999-72-5.
Johnson, Anthony: Solving Stonehenge, the New Key to an Ancient Enigma. Thames & Hudson 2008 ISBN 978-0-500-05155-9
Lesser, George (1957–64). Gothic cathedrals and sacred geometry. London: A. Tiranti.
Lawlor, Robert. Sacred Geometry: Philosophy and practice (Art and Imagination). Thames & Hudson, 1989 (1st edition 1979, 1980, or 1982). ISBN 0-500-81030-3.
Lippard, Lucy R. Overlay: Contemporary Art and the Art of Prehistory. Pantheon Books New York 1983 ISBN 0-394-51812-8
Mann, A. T. Sacred Architecture, Element Books, 1993, ISBN 1-84333-355-4.
Michell, John. City of Revelation. Abacus, 1972. ISBN 0-349-12320-9.
Schneider, Michael S. A Beginner's Guide to Constructing the Universe: Mathematical Archetypes of Nature, Art, and Science. Harper, 1995. ISBN 0-06-092671-6
Steiner, Rudolf; Creeger, Catherine (2001). The Fourth Dimension : Sacred Geometry, Alchemy, and Mathematics. Anthroposophic Press. ISBN 978-0-88010-472-2.
The Golden Mean, Parabola magazine, v.16, n.4 (1991)
West, John Anthony, Inaugural Lines: Sacred geometry at St. John the Divine, Parabola magazine, v.8, n.1, Spring 1983.

 

 

-
-
-
-
-
SACRED GEOMETRY
-
-
-
S
=
1
-
6
SACRED
50
32
5
G
=
7
-
8
GEOMETRY
108
45
9
-
-
8
-
14
SACRED GEOMETRY
185
77
14
-
-
-
-
1+4
-
1+8+5
7+7
1+4
-
-
8
-
5
SACRED GEOMETRY
14
14
5
-
-
-
-
-
-
1+4
1+4
-
-
-
8
-
5
SACRED GEOMETRY
5
5
5

 

 

-
-
-
-
-
SACRED GEOMETRY
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
6
SACRED
50
32
5
-
-
-
-
-
-
-
-
-
-
G
=
7
-
8
GEOMETRY
108
45
9
-
-
-
-
-
-
-
-
-
-
-
-
8
-
14
SACRED GEOMETRY
185
77
14
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
SACRED
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
A
=
1
2
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
C
=
3
3
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
R
=
9
4
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
D
=
4
6
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
-
-
23
-
6
SACRED
50
32
23
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
GEOMETRY
-
-
-
-
-
-
-
-
-
-
-
-
-
G
=
7
7
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
E
=
5
8
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
9
1
O
16
6
6
-
-
-
-
-
-
6
-
-
-
M
=
4
10
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
R
=
9
13
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
Y
=
7
14
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
-
-
45
-
5
GEOMETRY
108
45
45
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
2
3
8
15
6
14
8
18
-
-
-
-
-
SACRED GEOMETRY
-
-
-
-
-
-
-
-
1+5
-
1+4
-
1+8
S
=
1
-
6
SACRED
50
32
5
-
2
2
3
8
6
6
5
8
9
G
=
7
-
8
GEOMETRY
108
45
9
-
-
-
-
-
-
-
-
-
-
-
-
8
-
14
SACRED GEOMETRY
185
77
14
-
2
2
3
8
6
6
5
8
9
-
-
-
-
1+4
-
1+8+5
7+7
1+4
-
-
-
-
-
-
-
-
-
-
-
-
8
-
5
SACRED GEOMETRY
14
14
5
-
2
2
3
8
6
6
5
8
9
-
-
-
-
-
-
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
5
SACRED GEOMETRY
5
5
5
-
2
2
3
8
6
6
5
8
9

 

 

-
-
-
-
-
SACRED GEOMETRY
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
6
SACRED
50
32
5
-
-
-
-
-
-
-
-
-
-
G
=
7
-
8
GEOMETRY
108
45
9
-
-
-
-
-
-
-
-
-
-
-
-
8
-
14
SACRED GEOMETRY
185
77
14
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
SACRED
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
1
S
19
10
1
-
1
-
-
-
-
-
-
8
-
A
=
1
2
1
A
1
1
1
-
1
-
-
-
-
-
-
8
-
C
=
3
3
1
C
3
3
3
-
-
-
3
-
-
-
-
8
-
R
=
9
4
1
R
18
9
9
-
-
-
-
-
-
-
-
8
9
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
-
8
-
D
=
4
6
1
D
4
4
4
-
-
-
-
4
-
-
-
8
-
G
=
7
7
1
G
7
7
7
-
-
-
-
-
-
-
7
8
-
E
=
5
8
1
E
5
5
5
-
-
-
-
-
5
-
-
8
-
O
=
6
9
1
O
16
6
6
-
-
-
-
-
-
6
-
8
-
M
=
4
10
1
M
13
4
4
-
-
-
-
4
-
-
-
8
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
8
-
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
-
-
8
-
R
=
9
13
1
R
18
9
9
-
-
-
-
-
-
-
-
8
9
Y
=
7
14
1
Y
25
7
7
-
-
-
-
-
-
-
7
8
-
-
-
-
-
-
GEOMETRY
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
2
3
8
15
6
14
8
18
-
-
-
-
-
SACRED GEOMETRY
-
-
-
-
-
-
-
-
1+5
-
1+4
-
1+8
S
=
1
-
6
SACRED
50
32
5
-
2
2
3
8
6
6
5
8
9
G
=
7
-
8
GEOMETRY
108
45
9
-
-
-
-
-
-
-
-
-
-
-
-
8
-
14
SACRED GEOMETRY
185
77
14
-
2
2
3
8
6
6
5
8
9
-
-
-
-
1+4
-
1+8+5
7+7
1+4
-
-
-
-
-
-
-
-
-
-
-
-
8
-
5
SACRED GEOMETRY
14
14
5
-
2
2
3
8
6
6
5
8
9
-
-
-
-
-
-
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
5
SACRED GEOMETRY
5
5
5
-
2
2
3
8
6
6
5
8
9

 

LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER

LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S

5 x 3 = 15

"The most common letter in the English alphabet is E."

-
-
-
-
-
SACRED GEOMETRY
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
6
SACRED
50
32
5
-
-
-
-
-
-
-
-
-
-
G
=
7
-
8
GEOMETRY
108
45
9
-
-
-
-
-
-
-
-
-
-
-
-
8
-
14
SACRED GEOMETRY
185
77
14
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
SACRED
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
1
S
19
10
1
-
1
-
-
-
-
-
-
8
-
A
=
1
2
1
A
1
1
1
-
1
-
-
-
-
-
-
8
-
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
-
-
8
-
C
=
3
3
1
C
3
3
3
-
-
-
3
-
-
-
-
8
-
D
=
4
6
1
D
4
4
4
-
-
-
-
4
-
-
-
8
-
M
=
4
10
1
M
13
4
4
-
-
-
-
4
-
-
-
8
-
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
-
8
-
E
=
5
8
1
E
5
5
5
-
-
-
-
-
5
-
-
8
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
8
-
O
=
6
9
1
O
16
6
6
-
-
-
-
-
-
6
-
8
-
G
=
7
7
1
G
7
7
7
-
-
-
-
-
-
-
7
8
-
Y
=
7
14
1
Y
25
7
7
-
-
-
-
-
-
-
7
8
-
R
=
9
4
1
R
18
9
9
-
-
-
-
-
-
-
-
8
9
R
=
9
13
1
R
18
9
9
-
-
-
-
-
-
-
-
8
9
-
-
-
-
-
GEOMETRY
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
2
3
8
15
6
14
8
18
-
-
-
-
-
SACRED GEOMETRY
-
-
-
-
-
-
-
-
1+5
-
1+4
-
1+8
S
=
1
-
6
SACRED
50
32
5
-
2
2
3
8
6
6
5
8
9
G
=
7
-
8
GEOMETRY
108
45
9
-
-
-
-
-
-
-
-
-
-
-
-
8
-
14
SACRED GEOMETRY
185
77
14
-
2
2
3
8
6
6
5
8
9
-
-
-
-
1+4
-
1+8+5
7+7
1+4
-
-
-
-
-
-
-
-
-
-
-
-
8
-
5
SACRED GEOMETRY
14
14
5
-
2
2
3
8
6
6
5
8
9
-
-
-
-
-
-
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
5
SACRED GEOMETRY
5
5
5
-
2
2
3
8
6
6
5
8
9

 

 

Golden ratio - Wikipedia

https://en.wikipedia.org/wiki/Golden_ratio

The Parthenon - In mathematics, two quantities are in the golden ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities. The figure on the right illustrates the geometric relationship. The golden ratio is also called the golden mean or golden section (Latin: sectio aurea).

In mathematics, two quantities are in the golden ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities. The figure on the right illustrates the geometric relationship. The golden ratio is also called the golden mean or golden section (Latin: sectio aurea).[1][2][3] Other names include extreme and mean ratio,[4] medial section, divine proportion, divine section (Latin: sectio divina), golden proportion, golden cut,[5] and golden number (not to be confused with the related Fibonacci numbers).[6][7][8]

Mathematicians since Euclid—and perhaps earlier—have studied the properties of the golden ratio, including its self-similarity and appearance in the dimensions of a regular pentagon and in a golden rectangle, which may be cut into a square and a smaller rectangle with the same aspect ratio. The golden ratio appears in some patterns in nature, including the spiral arrangement of leaves and other plant parts. The golden ratio has also been used to analyze the proportions of natural objects as well as man-made systems such as financial markets, in some cases based on dubious fits to data.[9]

Some twentieth-century artists and architects, including Le Corbusier and Salvador Dalí, have proportioned their works to approximate the golden ratio—especially in the form of the golden rectangle, in which the ratio of the longer side to the shorter is the golden ratio—believing this proportion to be aesthetically pleasing.

 

What is the Golden Ratio? - Live Science
https://www.livescience.com › Tech

24 Jun 2013 - The Golden ratio is a special number found by dividing a line into two parts so that the longer part divided by the smaller part is also equal to the whole length divided by the longer part. It is often symbolized using phi, after the 21st letter of the Greek alphabet.

 

The designer's guide to the Golden Ratio | Creative Bloq
https://www.creativebloq.com/design/designers-guide-golden-ratio-12121546

24 Oct 2018 - We call it the Golden Ratio, although it's also known as the Golden Mean, The Golden Section, or the Greek letter phi. Whether you're an ...

 

Golden Ratio - Math is Fun
https://www.mathsisfun.com/numbers/golden-ratio.html

The golden ratio (symbol is the Greek letter "phi" shown at left) is a special number approximately equal to 1.618. It appears many times in geometry,
art, ...
phi
The golden ratio (symbol is the Greek letter "phi" shown at left)
is a special number approximately equal to 1.618

It appears many times in geometry, art, architecture and other areas.

 

The Golden Ratio
https://www.goldennumber.net/

Golden Ratio, Phi, 1.618, and Fibonacci in Math, Nature, Art, Design, Beauty and the Face. One source with over 100 articles and latest findings.
ancient Greeks, Renaissance artists, a 17th century astronomer and a 21st century novelist all would write about it? It's a number that goes by many names. This “golden” number, 1.61803399, represented by the Greek letter Phi, is known as the Golden Ratio, Golden Number, Golden Proportion, Golden Mean, Golden Section, Divine Proportion and Divine Section. It was written about by Euclid in “Elements” around 300 B.C., by Luca Pacioli, a contemporary of Leonardo Da Vinci, in "De Divina Proportione" in 1509, by Johannes Kepler around 1600 and by Dan Brown in 2003 in his best selling novel, “The Da Vinci Code.” With the movie release of the “The Da Vinci Code”, the quest to know Phi was brought even more into the mainstream of pop culture. The allure of “The Da Vinci Code” was that it creatively integrated fiction with both fact and myth from art, history, theology and mathematics, leaving the reader never really knowing what was truth and …

 

 

-
-
-
-
-
THE GOLDEN RATIO
-
-
-
T
=
2
-
3
THE
33
15
6
G
=
7
-
6
GOLDEN
57
30
3
R
=
9
-
5
RATIO
63
27
9
-
-
18
-
14
THE GOLDEN RATIO
153
72
18
-
-
1+8
-
1+4
-
1+5+3
7+2
1+8
-
-
9
-
5
THE GOLDEN RATIO
9
9
9

 

 

THE GOLDEN RATIO

 

-
-
-
-
-
THE GOLDEN RATIO
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
6
GOLDEN
57
30
3
-
-
-
-
-
-
-
-
-
-
R
=
9
-
5
RATIO
63
27
9
-
-
-
-
-
-
-
-
-
-
-
-
18
-
14
THE GOLDEN RATIO
153
72
18
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
15
-
3
THE
33
15
15
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
GOLDEN
-
-
-
-
-
-
-
-
-
-
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
O
=
6
5
1
O
16
6
6
-
-
-
-
-
-
6
-
-
-
L
=
3
6
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
D
=
4
7
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
8
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
9
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
30
-
6
GOLDEN
57
30
30
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
RATIO
-
-
-
-
-
-
-
-
-
-
-
-
-
R
=
9
10
1
R
9
9
9
-
-
-
-
-
-
-
-
-
9
A
=
1
11
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
I
=
9
13
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
14
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
-
-
27
-
5
RATIO
63
27
27
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE GOLDEN RATIO
-
-
-
-
1
4
3
4
15
12
7
8
18
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+5
1+2
-
-
1+8
G
=
7
-
6
GOLDEN
57
30
3
-
1
4
3
4
6
3
7
8
9
R
=
9
-
5
RATIO
63
27
9
-
-
-
-
-
-
-
-
-
-
-
-
18
-
14
THE GOLDEN RATIO
153
72
18
-
1
4
3
4
6
3
7
8
9
-
-
1+8
-
1+4
-
1+5+3
7+2
1+8
-
-
-
-
-
-
-
-
-
-
-
-
9
-
5
THE GOLDEN RATIO
9
9
9
-
1
4
3
4
6
3
7
8
9

 

 

-
-
-
-
-
THE GOLDEN RATIO
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
6
GOLDEN
57
30
3
-
-
-
-
-
-
-
-
-
-
R
=
9
-
5
RATIO
63
27
9
-
-
-
-
-
-
-
-
-
-
-
-
18
-
14
THE GOLDEN RATIO
153
72
18
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
O
=
6
5
1
O
16
6
6
-
-
-
-
-
-
6
-
-
-
L
=
3
6
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
D
=
4
7
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
8
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
9
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
10
1
R
9
9
9
-
-
-
-
-
-
-
-
-
9
A
=
1
11
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
I
=
9
13
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
14
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE GOLDEN RATIO
-
-
-
-
1
4
3
4
15
12
7
8
18
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+5
1+2
-
-
1+8
G
=
7
-
6
GOLDEN
57
30
3
-
1
4
3
4
6
3
7
8
9
R
=
9
-
5
RATIO
63
27
9
-
-
-
-
-
-
-
-
-
-
-
-
18
-
14
THE GOLDEN RATIO
153
72
18
-
1
4
3
4
6
3
7
8
9
-
-
1+8
-
1+4
-
1+5+3
7+2
1+8
-
-
-
-
-
-
-
-
-
-
-
-
9
-
5
THE GOLDEN RATIO
9
9
9
-
1
4
3
4
6
3
7
8
9

 

LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER

LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S

5 x 3 = 15

"The most common letter in the English alphabet is E."

 

-
-
-
-
-
THE GOLDEN RATIO
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
6
GOLDEN
57
30
3
-
-
-
-
-
-
-
-
-
-
R
=
9
-
5
RATIO
63
27
9
-
-
-
-
-
-
-
-
-
-
-
-
18
-
14
THE GOLDEN RATIO
153
72
18
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
O
=
6
5
1
O
16
6
6
-
-
-
-
-
-
6
-
-
-
L
=
3
6
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
D
=
4
7
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
8
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
9
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
10
1
R
9
9
9
-
-
-
-
-
-
-
-
-
9
A
=
1
11
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
I
=
9
13
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
14
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE GOLDEN RATIO
-
-
-
-
1
4
3
4
15
12
7
8
18
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+5
1+2
-
-
1+8
G
=
7
-
6
GOLDEN
57
30
3
-
1
4
3
4
6
3
7
8
9
R
=
9
-
5
RATIO
63
27
9
-
-
-
-
-
-
-
-
-
-
-
-
18
-
14
THE GOLDEN RATIO
153
72
18
-
1
4
3
4
6
3
7
8
9
-
-
1+8
-
1+4
-
1+5+3
7+2
1+8
-
-
-
-
-
-
-
-
-
-
-
-
9
-
5
THE GOLDEN RATIO
9
9
9
-
1
4
3
4
6
3
7
8
9

 

 

-
-
-
-
-
THE GOLDEN RATIO
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
6
GOLDEN
57
30
3
-
-
-
-
-
-
-
-
-
-
R
=
9
-
5
RATIO
63
27
9
-
-
-
-
-
-
-
-
-
-
-
-
18
-
14
THE GOLDEN RATIO
153
72
18
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
11
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
L
=
3
6
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
D
=
4
7
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
8
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
9
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
5
1
O
16
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
14
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
R
=
9
10
1
R
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
13
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE GOLDEN RATIO
-
-
-
-
1
4
3
4
15
12
7
8
18
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+5
1+2
-
-
1+8
G
=
7
-
6
GOLDEN
57
30
3
-
1
4
3
4
6
3
7
8
9
R
=
9
-
5
RATIO
63
27
9
-
-
-
-
-
-
-
-
-
-
-
-
18
-
14
THE GOLDEN RATIO
153
72
18
-
1
4
3
4
6
3
7
8
9
-
-
1+8
-
1+4
-
1+5+3
7+2
1+8
-
-
-
-
-
-
-
-
-
-
-
-
9
-
5
THE GOLDEN RATIO
9
9
9
-
1
4
3
4
6
3
7
8
9

 

 

THE GOLDEN MEAN

 

-
-
-
-
-
THE GOLDEN MEAN
-
-
-
T
=
2
-
3
THE
33
15
6
G
=
7
-
6
GOLDEN
57
30
3
M
=
4
-
4
MEAN
33
15
6
-
-
13
-
13
THE GOLDEN MEAN
123
60
15
-
-
1+3
-
1+3
-
1+2+3
6+0
1+5
-
-
4
-
4
THE GOLDEN MEAN
6
6
6

 

 

-
-
-
-
-
THE GOLDEN MEAN
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
6
GOLDEN
57
30
3
-
-
-
-
-
-
-
-
-
-
M
=
4
-
4
MEAN
33
15
6
-
-
-
-
-
-
-
-
-
-
-
-
13
-
13
THE GOLDEN MEAN
123
60
15
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
23
-
6
THE
50
32
23
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
GOLDEN
-
-
-
-
-
-
-
-
-
-
-
-
-
G
=
7
7
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
O
=
6
9
1
O
16
6
6
-
-
-
-
-
-
6
-
-
-
L
=
3
3
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
D
=
4
6
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
5
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
45
-
5
GOLDEN
108
45
45
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
MEAN
-
-
-
-
-
-
-
-
-
-
-
-
-
M
=
4
10
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
A
=
1
2
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
N
=
5
5
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
23
-
6
MEAN
50
32
23
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE GOLDEN MEAN
-
-
-
-
1
2
3
8
25
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
2+5
-
-
-
-
G
=
7
-
6
GOLDEN
57
30
3
-
1
2
3
8
7
6
7
8
9
M
=
4
-
4
MEAN
33
15
6
-
-
-
-
-
-
-
-
-
-
-
-
13
-
13
THE GOLDEN MEAN
123
60
15
-
1
2
3
8
7
6
7
8
9
-
-
1+3
-
1+3
-
1+2+3
6+0
1+5
-
-
-
-
-
-
-
-
-
-
-
-
4
-
4
THE GOLDEN MEAN
6
6
6
-
1
2
3
8
7
6
7
8
9

 

 

-
-
-
-
-
THE GOLDEN MEAN
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
6
GOLDEN
57
30
3
-
-
-
-
-
-
-
-
-
-
M
=
4
-
4
MEAN
33
15
6
-
-
-
-
-
-
-
-
-
-
-
-
13
-
13
THE GOLDEN MEAN
123
60
15
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
-
-
-
9
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
9
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
-
-
9
G
=
7
7
1
G
7
7
7
-
-
-
-
-
-
-
7
-
9
O
=
6
9
1
O
16
6
6
-
-
-
-
-
-
6
-
-
9
L
=
3
3
1
L
12
3
3
-
-
-
3
-
-
-
-
-
9
D
=
4
6
1
D
4
4
4
-
-
-
-
4
-
-
-
-
9
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
-
-
9
N
=
5
5
1
N
14
5
5
-
-
-
-
-
5
-
-
-
9
M
=
4
10
1
M
13
4
4
-
-
-
-
4
-
-
-
-
9
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
-
9
A
=
1
2
1
A
1
1
1
-
1
-
-
-
-
-
-
-
9
N
=
5
5
1
N
14
5
5
-
-
-
-
-
5
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE GOLDEN MEAN
-
-
-
-
1
2
3
8
25
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
2+5
-
-
-
-
G
=
7
-
6
GOLDEN
57
30
3
-
1
2
3
8
7
6
7
8
9
M
=
4
-
4
MEAN
33
15
6
-
-
-
-
-
-
-
-
-
-
-
-
13
-
13
THE GOLDEN MEAN
123
60
15
-
1
2
3
8
7
6
7
8
9
-
-
1+3
-
1+3
-
1+2+3
6+0
1+5
-
-
-
-
-
-
-
-
-
-
-
-
4
-
4
THE GOLDEN MEAN
6
6
6
-
1
2
3
8
7
6
7
8
9

 

LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER

LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S

5 x 5 = 25

"The most common letter in the English alphabet is E."

 

-
-
-
-
-
THE GOLDEN MEAN
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
6
GOLDEN
57
30
3
-
-
-
-
-
-
-
-
-
-
M
=
4
-
4
MEAN
33
15
6
-
-
-
-
-
-
-
-
-
-
-
-
13
-
13
THE GOLDEN MEAN
123
60
15
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
2
1
A
1
1
1
-
1
-
-
-
-
-
-
-
9
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
-
-
-
9
L
=
3
3
1
L
12
3
3
-
-
-
3
-
-
-
-
-
9
D
=
4
6
1
D
4
4
4
-
-
-
-
4
-
-
-
-
9
M
=
4
10
1
M
13
4
4
-
-
-
-
4
-
-
-
-
9
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
-
-
9
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
-
-
9
N
=
5
5
1
N
14
5
5
-
-
-
-
-
5
-
-
-
9
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
-
9
N
=
5
5
1
N
14
5
5
-
-
-
-
-
5
-
-
-
9
O
=
6
9
1
O
16
6
6
-
-
-
-
-
-
6
-
-
9
G
=
7
7
1
G
7
7
7
-
-
-
-
-
-
-
7
-
9
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE GOLDEN MEAN
-
-
-
-
1
2
3
8
25
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
2+5
-
-
-
-
G
=
7
-
6
GOLDEN
57
30
3
-
1
2
3
8
7
6
7
8
9
M
=
4
-
4
MEAN
33
15
6
-
-
-
-
-
-
-
-
-
-
-
-
13
-
13
THE GOLDEN MEAN
123
60
15
-
1
2
3
8
7
6
7
8
9
-
-
1+3
-
1+3
-
1+2+3
6+0
1+5
-
-
-
-
-
-
-
-
-
-
-
-
4
-
4
THE GOLDEN MEAN
6
6
6
-
1
2
3
8
7
6
7
8
9

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
F
=
6
2
5
FIRST
72
27
9
-
-
-
-
-
-
-
-
-
9
2
-
S
=
1
3
6
SECOND
60
24
6
-
-
-
-
-
-
6
-
-
-
3
-
T
=
2
4
5
THIRD
59
32
5
-
-
-
-
-
5
-
-
-
-
4
-
F
=
6
5
6
FOURTH
88
34
7
-
-
-
-
-
-
-
7
-
-
5
-
F
=
6
6
5
FIFTH
49
31
4
-
-
-
-
4
-
-
-
-
-
6
-
S
=
1
7
5
SIXTH
80
26
8
-
-
-
-
-
-
-
-
8
-
7
-
S
=
1
8
7
SEVENTH
93
30
3
-
-
-
3
-
-
-
-
-
-
8
-
E
=
5
9
6
EIGHTH
57
39
3
-
-
-
3
-
-
-
-
-
-
9
-
N
=
5
10
5
NINTH
65
29
2
-
-
2
-
-
-
-
-
-
-
45
-
-
-
41
-
54
Add
687
300
48
-
1
2
6
4
5
6
7
8
9
4+5
-
-
-
4+1
-
5+4
Reduce
6+8+7
3+0+0
4+8
-
-
-
-
-
-
-
-
-
-
9
-
-
-
5
-
9
Deduce
21
3
12
-
1
2
6
4
5
6
7
8
9
-
-
-
-
-
-
-
Reduce
2+1
-
1+2
-
-
-
-
-
-
-
-
-
-
9
-
-
-
5
-
9
Essence
3
3
3
-
1
2
6
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
9
-
N
=
5
10
5
NINTH
65
29
2
-
-
2
-
-
-
-
-
-
-
7
-
S
=
1
8
7
SEVENTH
93
30
3
-
-
-
3
-
-
-
-
-
-
8
-
E
=
5
9
6
EIGHTH
57
39
3
-
-
-
3
-
-
-
-
-
-
5
-
F
=
6
6
5
FIFTH
49
31
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
4
5
THIRD
59
32
5
-
-
-
-
-
5
-
-
-
-
2
-
S
=
1
3
6
SECOND
60
24
6
-
-
-
-
-
-
6
-
-
-
4
-
F
=
6
5
6
FOURTH
88
34
7
-
-
-
-
-
-
-
7
-
-
6
-
S
=
1
7
5
SIXTH
80
26
8
-
-
-
-
-
-
-
-
8
-
1
-
F
=
6
2
5
FIRST
72
27
9
-
-
-
-
-
-
-
-
-
9
45
-
-
-
41
-
54
Add
687
300
48
-
1
2
6
4
5
6
7
8
9
4+5
-
-
-
4+1
-
5+4
Reduce
6+8+7
3+0+0
4+8
-
-
-
-
-
-
-
-
-
-
9
-
-
-
5
-
9
Deduce
21
3
12
-
1
2
6
4
5
6
7
8
9
-
-
-
-
-
-
-
Reduce
2+1
-
1+2
-
-
-
-
-
-
-
-
-
-
9
-
-
-
5
-
9
Essence
3
3
3
-
1
2
6
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
3
-
5
-
-
8
9
1
-
O
=
6
2
3
ONE
34
16
7
-
-
-
3
-
5
-
7
8
9
2
-
T
=
2
3
3
TWO
58
13
4
-
-
-
3
4
5
-
-
8
9
3
-
T
=
2
4
5
THREE
56
29
2
-
-
2
3
-
5
-
-
8
9
4
-
F
=
6
5
4
FOUR
60
24
6
-
-
-
3
-
5
6
-
8
9
5
-
F
=
6
6
4
FIVE
42
24
6
-
-
-
3
-
5
6
-
8
9
6
-
S
=
1
7
3
SIX
52
16
7
-
-
-
3
-
5
-
7
8
9
7
-
S
=
1
8
5
SEVEN
65
20
2
-
-
2
3
-
5
-
-
8
9
8
-
E
=
5
9
5
EIGHT
49
31
4
-
-
-
3
4
5
-
-
8
9
9
-
N
=
5
10
4
NINE
42
24
6
-
-
-
3
-
5
6
-
8
9
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
3
-
5
-
-
8
9
3
-
T
=
2
4
5
THREE
56
29
2
-
-
2
3
-
5
-
-
8
9
7
-
S
=
1
8
5
SEVEN
65
20
2
-
-
2
3
-
5
-
-
8
9
2
-
T
=
2
3
3
TWO
58
13
4
-
-
-
3
4
5
-
-
8
9
8
-
E
=
5
9
5
EIGHT
49
31
4
-
-
-
3
4
5
-
-
8
9
4
-
F
=
6
5
4
FOUR
60
24
6
-
-
-
3
-
5
6
-
8
9
5
-
F
=
6
6
4
FIVE
42
24
6
-
-
-
3
-
5
6
-
8
9
9
-
N
=
5
10
4
NINE
42
24
6
-
-
-
3
-
5
6
-
8
9
1
-
O
=
6
2
3
ONE
34
16
7
-
-
-
3
-
5
-
7
8
9
6
-
S
=
1
7
3
SIX
52
16
7
-
-
-
3
-
5
-
7
8
9
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
4
6
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
-
-
-
3
-
T
=
2
4
5
THREE
56
29
2
-
-
2
-
-
-
7
-
S
=
1
8
5
SEVEN
65
20
2
-
-
2
-
-
-
2
-
T
=
2
3
3
TWO
58
13
4
-
-
-
4
-
-
8
-
E
=
5
9
5
EIGHT
49
31
4
-
-
-
4
-
-
4
-
F
=
6
5
4
FOUR
60
24
6
-
-
-
-
6
-
5
-
F
=
6
6
4
FIVE
42
24
6
-
-
-
-
6
-
9
-
N
=
5
10
4
NINE
42
24
6
-
-
-
-
6
-
1
-
O
=
6
2
3
ONE
34
16
7
-
-
-
-
-
7
6
-
S
=
1
7
3
SIX
52
16
7
-
-
-
-
-
7
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
8
18
14
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
1+8
1+4
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
8
9
5

 

 

1
occurs
x
2
=
2
=
2
2
occurs
x
3
=
6
=
6
3
occurs
x
1
=
3
=
3
4
occurs
x
2
=
8
=
8
5
occurs
x
14
=
70
7+0
7
6
occurs
x
7
=
42
4+2
6
7
occurs
x
1
=
7
=
7
8
occurs
x
3
=
24
2+4
6
9
occurs
x
7
=
63
6+3
9
45
-
-
40
-
225
-
54
4+5
-
-
4+0
-
2+2+5
-
5+4
9
-
-
4
-
9
-
9

 

LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 


"The Piper at the Gates of Dawn"

Piper at the Gates of Dawn: Pan, Kenneth Grahame and Wind ...http://www.strangehistory.net › 2015/04/06 › piper-at-t...
6 Apr 2015 — The story is quickly told. Otter has lost his son and Rat and Mole get in their boat and row through the night to look for him. Just before the ...The Piper at the Gates of Dawn ; Year Published: 1908 ; Language: English ; Country of Origin: England ; Source: Grahame, K. (1908). The Wind in the Willows. London ...

THE WIND IN THE WILLOWS

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
W
=
5
2
4
WIND
50
23
5
-
-
-
-
-
5
-
-
-
-
I
=
9
3
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
T
=
2
4
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
W
=
5
5
7
WILLOWS
113
41
5
-
-
-
-
-
5
-
-
-
-
-
-
23
-
54
Add
252
108
27
-
1
2
3
4
15
12
7
8
9
-
-
4+1
-
5+4
Reduce
6+8+7
3+0+0
2+7
-
-
-
-
-
1+5
1+2
-
-
-
-
-
5
-
9
Deduce
21
3
12
-
1
2
3
4
6
3
7
8
9
-
-
-
-
-
Reduce
2+1
-
1+2
-
-
-
-
-
-
-
-
-
-
-
-
5
-
9
Essence
3
3
3
-
1
2
3
4
6
6
7
8
9

 

 

THE PIPER AT THE GATES OF DAWN

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
8
1
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
P
=
7
2
5
PIPER
64
37
1
-
1
-
-
-
-
-
-
-
-
A
=
1
3
2
AT
21
3
3
-
-
-
3
-
-
-
-
-
-
T
=
2
4
3
THE
59
32
5
-
-
-
-
-
5
-
-
-
-
G
=
7
5
5
GATES
52
25
7
-
-
-
-
-
-
-
7
-
-
O
=
6
6
2
OF
21
3
3
-
-
-
3
-
-
-
-
-
-
D
=
4
7
5
DAWN
42
15
6
-
-
-
-
-
-
6
-
-
-
-
-
35
-
25
Add
266
122
32
-
1
2
6
4
5
12
7
8
9
-
-
3+5
-
2+5
Reduce
2+6+6
1+2+2
3+2
-
-
-
-
-
-
1+2
-
-
-
-
-
8
-
7
Deduce
14
5
5
-
1
2
6
4
5
3
7
8
9
-
-
-
-
-
Reduce
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
Essence
5
5
5
-
1
2
6
4
5
3
7
8
9

 

LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S

5 x 6 = 30

"The most common letter in the English alphabet is E."

 

THE PIPER AT THE GATES OF DAWN

TH5 PIP5R AT TH5 GAT5S OF DA55

THE PIPER AT THE GATES OF DAWN

 

 

3
THE
33
15
6
6
FAMILY
66
30
3
9
First Total
99
45
45
-
Add to Reduce
9+9
4+5
4+5
9
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
9
Essence of Number
9
9
9

 

 

3
THE
-
-
-
6
FAMILY
-
-
-
-
T
20
2
2
-
H
8
8
8
-
E
5
5
5
-
THE
-
-
-
-
F
6
6
6
-
A
1
1
1
-
M
13
4
4
-
I
9
9
9
-
L
12
3
3
-
Y
25
7
7
-
FAMILY
-
-
-
9
Add to Reduce
99
45
45
-
Reduce to Deduce
9+9
4+5
4+5
9
Essence of Number
18
9
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
THE
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
FAMILY
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
Y
=
7
-
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
FAMILY
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
THE
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
45
-
9
-
99
45
45
-
1
2
3
4
5
6
7
8
9
-
-
4+5
-
-
-
9+9
4+5
4+5
-
-
-
-
-
-
-
-
-
-
-
-
9
-
9
-
18
9
9
-
1
2
3
4
5
6
7
8
9

 

LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
THE
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
FAMILY
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
Y
=
7
-
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
FAMILY
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
THE
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
45
-
9
-
99
45
45
-
1
2
3
4
5
6
7
8
9
-
-
4+5
-
-
-
9+9
4+5
4+5
-
-
-
-
-
-
-
-
-
-
-
-
9
-
9
-
18
9
9
-
1
2
3
4
5
6
7
8
9

 

 

3
THE
-
-
-
6
FAMILY
-
-
-
-
A
1
1
1
-
T
20
2
2
-
L
12
3
3
-
M
13
4
4
-
E
5
5
5
-
F
6
6
6
-
Y
25
7
7
-
H
8
8
8
-
I
9
9
9
3
THE
-
-
-
-
FAMILY
-
-
-
9
Add to Reduce
99
45
45
-
Reduce to Deduce
9+9
4+5
4+5
9
Essence of Number
18
9
9

 

 

 

FIRST CONTACT 1980

 

 

 

 

GOD WITH US AND US WITH GOD

 

3
GOD
26
17
8
4
WITH
60
24
6
2
US
40
4
4
9
Add to Reduce
126
45
18
-
Reduce to Deduce
1+2+6
4+5
1+8
9
Essence of Number
9
9
9

 

 

-
9
G
O
D
-
W
I
T
H
-
U
S
-
-
-
-
-
--
-
-
24
-
-
6
-
-
-
9
-
8
-
-
1
+
=
24
2+4
=
6
=
6
51
-
-
15
-
-
-
9
-
8
-
-
19
+
=
51
5+1
=
6
=
6
-
9
G
O
D
-
W
I
T
H
-
U
S
-
-
-
-
-
-
-
-
21
-
7
-
4
-
5
-
2
-
-
3
-
+
=
21
2+1
=
3
=
3
75
-
7
-
4
-
23
-
20
-
-`
21
-
+
=
75
7+5
=
12
1+2
3
-
9
G
O
D
-
W
I
T
H
-
U
S
-
-
-
-
-
--
-
-
126
-
7
15
4
-
23
9
20
8
-
21
19
+
=
126
1+2+6
=
9
-
9
45
-
7
6
4
-
5
9
2
8
-
3
1
+
=
45
4+5
=
9
-
9
-
9
G
O
D
-
W
I
T
H
-
U
S
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
2
-
-
-
-
-
-
-
2
-
-
-
-
-
-
2
occurs
x
1
=
2
3
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
4
-
-
-
4
-
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
6
--
-
6
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
7
-
7
-
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
8
occurs
x
1
=
8
9
-
-
-
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
45
9
G
O
D
-
W
I
T
H
-
U
S
-
-
45
-
-
9
-
45
4+5
-
-
-
-
-
-
9
-
-
-
-
-
-
-
4+5
-
-
-
-
4+5
9
9
G
O
D
-
W
I
T
H
-
U
S
-
-
9
-
-
9
-
9
-
-
7
6
4
-
5
9
2
8
-
3
1
-
-
-
-
-
-
-
-
9
9
G
O
D
-
W
I
T
H
-
U
S
-
-
9
-
-
9
-
9

 

 

-
9
G
O
D
W
I
T
H
S
-
-
-
-
-
--
-
-
24
-
-
6
-
-
9
-
8
-
1
+
=
24
2+4
=
6
=
6
51
-
-
15
-
-
9
-
8
-
19
+
=
51
5+1
=
6
=
6
-
9
G
O
D
W
I
T
H
U
S
-
-
-
-
-
-
-
-
21
-
7
-
4
5
-
2
-
3
-
+
=
21
2+1
=
3
=
3
75
-
7
-
4
23
-
20
-
21
-
+
=
75
7+5
=
12
1+2
3
-
9
G
O
D
W
I
T
H
U
S
-
-
-
-
-
--
-
-
126
-
7
15
4
23
9
20
8
21
19
+
=
126
1+2+6
=
9
-
9
45
-
7
6
4
5
9
2
8
3
1
+
=
45
4+5
=
9
-
9
-
9
G
O
D
W
I
T
H
U
S
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
2
-
-
-
-
-
-
2
-
-
-
-
-
2
occurs
x
1
=
2
3
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
4
-
-
-
4
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
5
-
-
-
-
5
-
-
-
-
-
-
-
5
occurs
x
1
=
5
6
--
-
6
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
7
-
7
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
8
-
-
-
-
-
-
-
8
-
-
-
-
8
occurs
x
1
=
8
9
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
45
9
G
O
D
W
I
T
H
U
S
-
-
45
-
-
9
-
45
4+5
-
-
-
-
-
9
-
-
-
-
-
-
4+5
-
-
-
-
4+5
9
9
G
O
D
W
I
T
H
U
S
-
-
9
-
-
9
-
9
-
-
7
6
4
5
9
2
8
3
1
-
-
-
-
-
-
-
-
9
9
G
O
D
W
I
T
H
U
S
-
-
9
-
-
9
-
9

 

 

"The virgin will conceive and give birth to a son, and they will call him Immanuel" (which means "God with us"). “Behold, the virgin shall conceive and bear a son, and they shall call his name Immanuel” (which means, God with us).

Matthew 1:23 "The virgin will conceive and give birth to a ...

biblehub.com/matthew/1-23.htm

 

 

The Meaning of Immanuel, God with Us

www.orlutheran.com/html/immanuel.html

And this very special Christmas name, as Matthew tells us, means "God with us." Jesus Christ is Immanuel, "God with us," and I'd like to share why this is so ...

Matthew 1:23 "The virgin will conceive and give birth to a ...

matthew/1-23.
“Behold, the virgin shall conceive and bear a son, and they shall call his name Immanuel” (which means, God with us). New American Standard Bible "BEHOLD ...

 

 

Christ Emmanuel or God with Us - Grace Gems!

www.gracegems.org/W/e1.htm

"They shall call His name Emmanuel, which being interpreted is, God with us. ... give birth to a son, and they will call him Immanuel– which means, 'God with us.

 

 

Isaiah 7:14 Explained - Immanuel God With Us

www.bibleanswerstand.org/immanuel.htm

This study is aimed at finding the true meaning of Immanuel in Isaiah 7:14. ... texts for the deity of Jesus Christ because of the words, “Immanuel,” (God with us).

 

 

Why wasn't Jesus named Immanuel? - GotQuestions.org

www.gotquestions.org/Immanuel-Jesus.html

by S. Michael Houdmann - Jesus was God making His dwelling among us (John 1:1,14). No, Jesus' name was not Immanuel, but Jesus was the meaning of Immanuel, "God with us.

 

Words Around "Emmanuel" in the English Dictionary

"The word Immanuel/Emmanuel means, "God with us." It conveys the idea of God come down in the flesh, mingling alongside mankind, subject to their brutality, while extending his love in bringing their redemption."

 

GOD WITH US AND US WITH GOD

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
G
=
7
-
3
GOD
26
17
8
-
-
-
-
-
-
-
-
8
-
W
=
5
-
4
WITH
60
24
6
-
-
-
-
-
-
6
-
-
-
U
=
3
-
2
US
40
4
4
-
-
-
-
4
-
-
-
-
-
-
-
1+5
-
9
Add to Reduce
126
45
18
-
1
2
3
4
5
6
7
8
9
-
-
6
-
-
Reduce to Deduce
1+2+6
4+5
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
Essence of Number
9
9
9
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
GOD WITH US
-
-
-
-
-
-
-
-
-
-
-
-
-
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
D
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
W
=
5
-
1
W
23
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
45
-
9
GOD WITH US
126
54
45
-
1
2
3
4
5
6
7
8
9
-
-
4+5
-
-
-
1+2+6
5+4
4+5
-
-
-
-
-
-
-
-
-
-
-
-
9
-
9
GOD WITH US
9
9
9
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
GOD WITH US
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
5
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
T
=
7
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
D
=
7
-
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
W
=
5
-
1
W
23
5
5
-
-
-
-
-
5
-
-
-
-
O
=
3
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
G
=
5
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
5
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
I
=
3
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
45
-
9
GOD WITH US
126
54
45
-
1
2
3
4
5
6
7
8
9
-
-
4+5
-
-
-
1+2+6
5+4
4+5
-
-
-
-
-
-
-
-
-
-
-
-
9
-
9
GOD WITH US
9
9
9
-
1
2
3
4
5
6
7
8
9

 

GOD WITH US 123456789 987654321 US WITH GOD

 

 

 

 

 

 

AFRICAN NIGHTMARE

1975

SPECTRE OF FAMINE

 

 

 

SCULPTURE OF VIBRATIONS 1971

 

 

A

HISTORY OF GOD

Karen Armstrong

The God of the Mystics

THE

BOOK OF CREATION

"THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF THE ALPHABET IS GIVEN A NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS"

 

 

 

THE UNIVERSAL SOLDIER 1971

 

 

 
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